Ballet and Jazz Dance Instructor
Cecchetti - ACSC - CICB
Originally from Italy, Veronica began her professional training at the Open Dance Center in Milan. After studying various types of styles: ballet, pas de deux, modern, contemporary, jazz, tap, flamenco and acrobatic, she obtained her dancing and teaching diploma at the age of 17.
Veronica continued her studies in Madrid (Spain), attending the Escuela Victor Ullate and the Escuela de Ballet Carmina Ocana.
Veronica now holds a Cecchetti teacher (ACSC-CIBC) certificate in ballet and prepares students for ADAPT exams in Jazz, tap and acro.
With a strong professional dance career in Europe, the United States and Canada, Veronica has extensive stage experience in fields as diverse as entertainment, musical comedy and television. She worked in various environments such as theatre, television, casinos, entertainment parks and cruise ships.
She took part in many musical reviews, production shows and operas around the world. She has held the position of dance captain in some of the productions that she has worked for. Most recent performances: Best of Broadway (Tour of Quebec and Egypt Cairo Opera House), Holiday Extravaganza (Tropicana, Atlantic City), Les pêcheurs de perles (Opera de Montreal, Place des Arts) etc. Veronica has also developed the technique of tissue and aerial dance, where she mastered the free composition of two parts: body and tissues.
She has been teaching dance for several studios in Montreal as and is also choreographing for several competitions.
Veronica enjoys creating as much as dancing. She has been recognized as serious and professional dance teacher.
Veronica choreographed Ondek, a short dance film directed by Louis-Martin Charest. Set to "We Are Young" by the musical group FUN., the film unexpectedly uses hip hop and jazz dance as the medium to convey the narrative in our hero’s story.
Ballet Instructor and Creative Movement Program Coordinator
Marie-Noëlle started dancing at the age of five. She began her professionnal training at L’École Supérieure de Danse du Québec at eleven. She then trained with Mr. Daniel Seillier at the Conservatoire de Danse de Montreal. She also attended summer intensives at the National Ballet of Canada, and at Banff Center.
She began her professionnal career dancing with Ballet Ouest de Montréal, and performed classics such as the Nutcracker, Coppelia, and Sleeping Beauty. She was casted as the principal dancer for Giselle. She also danced for many independent projects in the styles of classical ballet, and contemporary. In 2002, she joined Les Sortilèges Danse du Monde, under the direction of Denise Biggi. Within her time with the company, she had the opportunity to explore a wide range of international dances, and worked with esteemed choreographers, such as Noël Strazza, Benjamin Hatcher, and Jean Léger.
In 2007, she signed a contract with Cirque du Soleil, as part of the Zaia creation as a dancer. She thus left Quebec for China, and performed over a thousand shows during the four years that followed, in Macau. She was then introduced to aerial hoops and acrobatics by being with Cirque du Soleil. During her years in Asia, she also taught latin dance.
As she returned to Montreal, Marie-Noëlle took part in the creation and production of the Voix show held at the Ecuries Thèatre from 2014 to 2015, as a co-author, as a choreographer, and as an interprete. She also completed her teaching certification training (200 hours) with Ashtanga Yoga Montreal.
Since teaching has always been an important aspect of her professional life, she is thrilled to join Ballet Montreal’s faculty, and to share her passion with her students!
Ballet and Pas de Deux Instructor
Luca Carano began dancing at the age of 9 at the oldest ballet school in Italy, the San Carlo Dance Theatre in Naples, under the Direction of Anna Razzi. In 1998, he studies at La Scala Theatre Ballet Academy in Milan, under the Direction of AnnaMaria Prina. He danced in ballet productions such as The Nutcracker, Bohémienne, Women, Hommage à Giuseppe Verdi, Pinocchio and La Bottega Fantastica.
He is awarded the San Carlo Foundation Bursary in 2001 in recognition of his exceptional technical and artistic talent. In 2003, he graduates as a Professional Dancer from Europe’s largest opera house, the Teatro di San Carlo, performing Raymonda. He also performed as a first dancer in Snow White, Le Spectre de la Rose, Les Sylphides and Romeo and Juliette. In 2003, Luca Carano dances with the Ballet des Jeunes d’Europe in France under the direction of Jean-Charles Gil.
In 2004, he joins the Royal Ballet Van Vlaanderen Company in Belgium as a soloist in The Nutcracker and La Bayadère with Director Robert Denvers. In 2005, Luca Carano dances with La Scala Theatre Ballet Company in Swan Lake, The Nutcracker, Europa Riconosciuta and Excelsior, under the direction of Frederic Olivieri. He also performed in Roland Petit’s Production Ma Pavlova and since 2006, Luca danced in numerous productions and lyric opera including Giselle, Sleeping Beauty, Don Quixote, Carmen, Onegin, Cantata, Napoli Zompa e Vola, Zorba il Greco, La Traviata, Carmina Burana, and La Vedova Allegra.
He also performed in one of Andrea Bocelli’s concert in Naples interpreting the role of Pulcinella. Throughout the years, Luca has been teaching and choreographing classical ballet, repertoire, pas de deux, contemporary and neoclassical pieces. He has judged dance competitions and assessed students’ technical progress in year-end exams. Since 2013, Luca has been part of Ballet Ouest Company under the direction of Claude Caron. He has performed in the Nutcracker, Couples and Mechanical Waltz.
Stéphanie began her professional dance training at the Conservatoire de Danse de Montréal where she studied: ballet, pointes, repertoire, pas de deux, character, modern, jazz, tap, flamenco and african dance.
Passionate about ballet, she continued her studies with Paula Urrutia in various schools such as Ballet Montreal Performing Arts School and has completed her Advanced I exam in the prestigious Cecchetti method.
In 2007, Stéphanie had the chance to dance in Ballet Ouest production of the Nutcracker and performed numerous shows on tour with the company.
While taking teacher’s training courses with Paula Urrutia, in preparation for the Cecchetti teacher certificate, Stéphanie has discovered a great passion for teaching. Since 2011, she has been teaching creative movement, pre-ballet, ballet and pointes to students of all ages in recreational and competitive studios around the Montreal region.
In the hopes of completing her Cecchetti Associate certificate, she continues to take teacher’s training courses and workshops regularly. Additionally, Stéphanie is a certified teacher of Progressing Ballet Technique (PBT).
Stéphanie is thrilled to join Ballet Montreal’s faculty and excited to share her passion with her students!
Sonia is founder and director of The Sonia Balazovjech Dance Company (SBDC). This non-profit organization uses dance as a powerful tool to raise awareness and funds for various charitable organizations. In existence since 2010, SBDC has produced eight full-length dance productions and has raised over $50 000.00 for charities in our community.
Sonia began her dance career as a national level competitive gymnast. Upon retiring, she began training intensively in classical ballet, at École Dansart. She studied eight years with Vaganova trained teacher Maria Abdul Malek. By combining her athletic background with ballet technique, contemporary dance is where Sonia’s passion lies.
She has been sharing her passion for dance and teaching for over 25 years.
A third generation dancer with B.A. in Dance Kinesiology, Saxon has the versatility to work with companies like Cirque du Soleil, Moment Factory, W&M Physical Theater (Poland), DJD and Blueprint Dance Company.
Her choreography has been featured in the film Athletes in Motion for the 2010 Vancouver Olympics. One featured at InShadow Film Festival and the Radio-Canada series, Les Dieux de la Danse. She has worked as Artistic Director for Art-Terre and Soul Projexions before starting her creative company Juxtapose.
Saxon has collaborated with the fashion industry choreographing for Y!D.N.A. Collection, Saco
International, Loreal, Filler Magazine, X- presion (Madrid) and Noize (London). Her creations have been presented for Royal Albert Hall in London, Dragonfly Orchestra in China, le Zenith in Paris and a career highlight at the incredible Kremlin Palace in Moscow.
Benny Draier began tap dancing in 1981 with Montreal’s own tap master John Stanzel at les Grands Ballets Canadiens. Over the years, Benny also studied various styles of dance including Ballet, Jazz, Ballroom, Swing, Afro-Caribbean and Folk dance.
He was the artistic director of Montreal’s foremost professional tap dance company “Tapotage” which performed over 200 shows in and around Montreal. Through his various experience and workshops with the great tap masters, Benny excels at a variety of tap dance styles including Rhythm, Jazz and Broadway tap.
Benny’s career highlights include performing on Television, at the Montreal Jazz Festival, several times on stage with the late Gregory Hines at Place des Arts and, most recently, doing “Singing in the Rain” for a national American TV commercial.
Benny has contributed to the art of tap dancing in Montreal, teaching at various dance schools for almost twenty years.
Allison grew up in Montreal and has been dancing for 14 years, and continues to develop a strong technical foundation in many forms of dance. She has trained in Canada and the USA in many different types of styles. She has studied ballet, tap, contemporary, jazz, and hip hop throughout her years of competitive dancing. Growing up, she participated in many competitions and conventions. Her passion and determination led her to win a scholarship for Be Discovered to train in New York City, and an award from the American Dance Awards In Class convention. She later on took part in many summer intensives including training at the school École Supérieure de Ballet.
Allison now adds teaching as a way to express what she loves doing. As her passion grows as a dancer, she applies what she has learned to her own training and to teaching. She has successfully studied under the A.D.A.P.T. Jazz and Tap syllabus, and finished up to grade four Cecchetti. As a teacher Allison focuses on ensuring her students learn and obtain proper technique, while emphasizing the importance of artistic expression, individuality, and range in movement.
The Guest Teachers
Sophie, who is of Ukrainian origin, was born and raised in Montreal. A proud alumni of Ballet Montreal, she also trained at L’École supérieure de ballet du Québec and Alberta Ballet School. Sophie participated in various summer programs at Ballet West Academy, Pittsburgh Ballet Theater School, Joffrey Ballet Academy and Cincinnati Ballet Academy. She has completed her Advanced 2 exam with the Cecchetti Society of Canada. In Montreal, Sophie has had the opportunity to work with Les Grands Ballets Canadiens de Montréal as well as with Ballet Eddy Toussaint.
Sophie then continued her professional dance career in Europe. From 2014 to 2016, she worked at Opera Wroclawska in Poland, in the position of coryphée, where she had the opportunity to perform, amongst others, in Anna Karenina, Don Quixote, La Fille mal gardée, Romeo and Juliet, Coppélia, Nutcracker, Firebird and Swan Lake, where she danced the Four Little Swans. During her two seasons in Poland, she also performed in many operas such as Samson and Delilah, Carmen and La Traviata. In 2016, Sophie worked with English National Ballet, in London.
She was thrilled to perform numerous shows at the Royal Alberta Hall for their Swan Lake in-the-round production. Sophie is currently delighted to be working with Ballett Dortmund, in Germany, where she has the opportunity to perform classical and contemporary repertoire.
To compliment her passion as a dancer, Sophie has discovered a great love of teaching. Whenever in Montreal, she enjoys spending her days teaching at Ballet Montreal, transmitting her knowledge and love of dance to students.
In the course of years, Tina had the chance to train in many dance schools in Los Angeles, New York, Vancouver and most recently in France.
Since 2006, she was able to work in the art world and find contracts that inspired her. In 2008, she was selected to be one of the dancers for Royal Caribbean Productions. She had the chance to perform and travel during this 10-months contract. Then, in April 2011, Tina presented a show of Michael Jackson at the Cairo Opera House in Egypt. She also had the opportunity to perform in several musicals with production Groupe Bazz.
Tina presented a contemporary piece with the company of the choreographer Gyslaine Doté, Virtuose. She also took part of the casting for the opera Manon.
Tina continues to evolve and inspires herself by the multiple talent that surrounds her. She is thrilled to be part of the Ballet Montreal’s teaching Team and looks forward to share her knowledge and passion with her students.
The Guest Choreographers
Natsumi Sophia Bellali
Natsumi Sophia Bellali grew up in Montreal, Canada, and trained at the Ballet Montreal Performing Arts School under the direction of Paula Urrutia. She graduated from the Certificate Program at The Ailey School. She is a founding member of all-women improvisational based contemporary company based in Brooklyn, and worked with Ephrat Asherie, Brice Mousset, Matthew Rushing, Clifton Brown, Jon Ole Olstad, Jacqulyn Buglisi, and performed works by Alvin Ailey. Bellali worked with the Mark Morris Dance Group as an understudy dancer for The Hard Nut last holiday season. Recently, Bellali premiered Calling: a dance with faith at Downtown Arts in Manhattan, an evening length duet production directed by Jesca Prudencio, as part of the Undesirable Elements series with Ping Chong + Company.
Bellali enjoys creating musically specific movement through her technical training to sounds from the African diaspora and to Jamaican rhythms, as she continues to explore music from around the world.